Listen
SOLO PIANO (Jazz):
In Your Own Sweet Way (comp. Dave Brubeck)
from Quadrants, released by Keytone Records
from Modern Piano, released by
JP Morgan/Chase Bank International
What Kind of Fool Am I? (comp. Newley/Bricusse)
from Quadrants, released by Keytone Records
from Spirit of the Place, released by Keytone Records
CHAMBER JAZZ:
SAMPLES FROM NEW RECORDING!
with Rob Foster, Shakuhachi flute
and Ric Troll, percussion.
That Was Then (Ellenberger/Foster)
The Necessary Angel (Ellenberger)
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from Songs from Far West, released by Challenge-A Records (Netherlands) with David Dunn (bass) and Dane Richeson (drums)
from Songs from Far West, released by Challenge-A Records (Netherlands) with David Dunn (bass) and Dane Richeson (drums)
from A Tale of Three Cities, Keytone Records with David Renter (sax)
Gratitude, Honor, and Truth (comp. Dave Spring)
from It’s A Spring Thing, with Dave Spring (bass), Tim Froncek (drums)
One for Lazaro (comp. Dave Spring)
from It’s A Spring Thing, with Danny Gottlieb (drums) and Dave Spring
Everything I Love (comp. Cole Porter)
from A Tale of Three Cities, Keytone Records with David Renter (sax), Dave Spring (bass)
SOLO PIANO (Classical):
Nocturne No. 2: “THE UNBURIED” (excerpt)
performed by Xenia Leletkina, piano
performed by Magda Adamek, piano
ORCHESTRA and CHAMBER MUSIC:
After the Swan’s Song (excerpt)
Nocturne for ‘Cello and Piano
Six or Seven Songs from Eight Significant Landscapes (excerpt)
Song Cycle for Voice and Piano
The Nameless City (excerpt)
for full orchestra
A Tale of Great Ulysses (excerpt)
Ballade for Violin and ‘Cello
MUSIC FOR BRASS:
Hooligan Wind (excerpt) for 6 trumpets, double bass and percussion
Fanfare for a New Day (brass quintet)
Three Roman Scenes for Brass Quintet (excerpt)
“LOVECRAFT” Symphony for Brass Choir and Percussion (excerpt from Movement I: “THE FESTIVAL”)
NOTE: All tracks feature Kurt Ellenberger as either pianist, composer or both, except where noted.
Something Unusual:
This is a completely improvised piece of music with saxophonist David Renter. We decided to start in one key, move to another, and return to the original key. Those were the only criteria for this piece.
